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Giveaway - David Chandler's A Thief in the Night

Posted by Phil on Thursday, September 29, 2011




I still haven't read the first fantasy novel by David Chandler, Den of Thieves, but it's on my to-read pile.  The novels of his trilogy, named The Ancient Blades, will all be out in a quick succession, with the first book released on July 26th, the second (A Thief in the Night) on September 27th and the last one, Honor Among Thieves will be out on November 29th.

This is indeed David Chandler's first fantasy foray since he is also known as David Wellington, an author of 'adventurous fiction' (horror...).  Thanks to Harper Voyager (HarperCollinsPublishers), you could win a mass market paperback edition of his second book, A Thief in the Night.  You only have to send me a mail (contact on the right) with your name and address and "Chandler" as the subject.  The giveaway is open only for the US. I'll pick up the winner on October 7th.

Here's the blurb by the way :

Circumstance made him a criminal. Destiny may make him a hero.

As a thief, Malden is unparalleled in the Free City of Ness, and happy there. But by saving the life of the knight Croy, Malden has bound himself to an ancient, noble brotherhood . . . and he now possesses one of only seven Ancient Blades capable of destroying demons.

Malden fears accompanying Croy and the barbarian Mörget on their quest to dispatch a foul creature of nightmare . . . nor does he want to disturb the vengeful dead. But with an assassin on his heels, the young cutpurse is left with no choice. And there is the comely sorceress, Cythera, to consider— promised to Croy but in love with Malden—not to mention the fabulous treasure rumored to be hidden in the depths of the demon’s lair . . . 

A round of covers

Posted by Phil on Tuesday, September 27, 2011

Four new covers for our viewing pleasure.. or displeasure.  Here comes Tchaikovsky, Dyachenko and Fultz.

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To follow up on three weeks ago when the cover art unveiling of the first two novels of the Shadows of the Apt series by Adrian Tchaikovsky in paperback edition took place, here comes the next two novels, Blood of the Mantis and Salute the dark.  The artist behind the work is Alan Brooks again and I included the previous UKand US covers.







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Next up is The Scar by Sergey and Marina Dyachenko from Ukraine.  The novel will be on February 2012 and is the second novel in a series called "Wanderers Cycle" who is said by the authors to stands strong for itself. It won an award for best original fantasy novel published in Russia in 1997.  Here's the beautiful cover art and the blurb :



Reaching far beyond sword and sorcery, The Scar is a story of two people torn by disaster, their descent into despair, and their reemergence through love and courage. Sergey and Marina Dyachenko mix dramatic scenes with romance, action and wit, in a style both direct and lyrical. Written with a sure artistic hand, The Scar is the story of a man driven by his own feverish demons to find redemption and the woman who just might save him. 
Egert is a brash, confident member of the elite guards and an egotistical philanderer. But after he kills an innocent student in a duel, a mysterious man known as “The Wanderer” challenges Egert and slashes his face with his sword, leaving Egert with a scar that comes to symbolize his cowardice. Unable to end his suffering by his own hand, Egert embarks on an odyssey to undo the curse and the horrible damage he has caused, which can only be repaired by a painful journey down a long and harrowing path. Toria, the woman whose fiancé Egert killed, hates Egert, and is saddened and numb, but comes to forgive the drastically changed Egert. 

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Finally, Orbit launched the cover art for Seven Princes by John R. Fultz. This is the first novel in an epic fantasy trilogy (the author's debut) named Books of the Shaper.  The illustration was done by Richard Anderson.  Here it is with the blurb :



An ancient sorcerer slaughters the King of Yaskatha and his court before the unbelieving eyes of the young Prince D’zan. From that moment the fugitive Prince is driven by one thought – he must regain his father’s stolen throne. The lives of six foreign Princes are tied to D’zan’s fate as he seeks allies for his cause.
In a land where Men and Giants battle side by side against ancient monsters and terrifying sorcery, only one thing is certain – war is coming.

Prince of Thorns Review

Posted by Phil on Monday, September 26, 2011


Prince of Thorns is the debut novel of Mark Lawrence. The author's project is a trilogy named The Broken Empire. The book was released at the beginning of August and the follow-up will be called King of Thorns.
Before the thorns taught me their sharp lessons and bled weakness from me I had but one brother, and I loved him well. But those days are gone and what is left of them lies in my mother's tomb. Now I have many brothers, quick with knife and sword, and as evil as you please. We ride this broken empire and loot its corpse. They say these are violent times, the end of days when the dead roam and monsters haunt the night. All that's true enough, but there's something worse out there, in the dark. Much worse. From being a privileged royal child, raised by a loving mother, Jorg Ancrath has become the Prince of Thorns, a charming, immoral boy leading a grim band of outlaws in a series of raids and atrocities. The world is in chaos: violence is rife, nightmares everywhere. Jorg has the ability to master the living and the dead, but there is still one thing that puts a chill in him. Returning to his father's castle Jorg must confront horrors from his childhood and carve himself a future with all hands turned against him.
Prince of Thorns is a first person perspective novel with a protagonist quite unusual, the young prince being genuinely sick in his mind and being clearly aware of it.  You may have read Best Served Cold by Joe Abercrombie and if it's the case, you are accustomed (or at least you experienced it) to a main character smashing his way through the country in a quest for vengeance, or plainly said, lethal retribution. In Prince Honorous Jorg Ancrath's case, it's not simply brutal justice that is the source of his disturbed and disoriented vendetta, but mixed up within the drama, is the goal to become King in his own right or even Emperor (I think I guessed the title of book 3), at any human cost. 

The boy genius is thirteen, skilled in many ways through experience on the road with his band of brothers or even from some kind of unknown source.  This type of 'hero' would be hard to follow or feel empathy for but with a harsh cruel past behind him already, his actions seem more legitimate even though they cannot be condoned  It's undoubtedly interesting to read about a protagonist like that, going on that road with a twisted perspective; it doesn't come to life very often. However, I have to admit it can be perturbing.

So, Brother Jorg is unforgiving.  That statement alone couldn't be representative enough without some context. I know you probably have already read about a villain in a story who decides to talk about his schemes to his victim before killing him.  Jorg Ancrath is the complete opposite.  The young ruthless and impulsive mercenary reacts, act and think after. To his credit, it's what keeps him alive and gives him an edge from more typical characters. He even manages to generate sympathy toward the protagonist 'friends' or should I say 'brothers'. That feat has to be credited to the author's writing.

The narrative Mark composed for his book is furious, sometimes frenetic, sometimes resolute. The action is fast and constant, without having a break-neck pace but with a satisfying dose of flashbacks to explain the coming of this harbinger of death seeking power. The plot is moving at a stupendously perfect rhythm, without being too descriptive and skipping the going from point A to point B when it's not essential, this being actually an achievement since it could be seen as carelessness toward the 'complete' telling of the story to the reader but it's not. Jorg being the way he is, he deserves a writer who can get into the action and synthesize.

An example you ask?
“So . . .” I looked around them, real slow-like. “So, the Baron knows where bandits such as ourselves will be going, and he knows the way we’ve got to go.” I let that sink in. “And I just lit a bloody big fire that tells him and his what a bad idea it’d be to follow.”
I stuck Gemt with my knife then. I didn’t need to, but I wanted it. He danced pretty enough too, bubble bubble on his blood, and fell off his horse. His red face went pale quick enough.
“Maical,” I said. “Take his head.”
And he did.
Gemt just chose a bad moment.

The world building and history of the society depicted in the novel was a kind of mystery to me.  After a few paragraphs I stumbled into the word 'Jesu' and several chapters after 'Plato' and 'Roma'... I was dumbfounded. My question were answered soon enough as Mark's world is a deviation or an extrapolation from a nuclear crushed version of our world. That aspect is skillfully used in the book with some funny discoveries of ancient technology and a couple of plot twist-bending elements. There's magic too.

The 'epigraphs' at the end of each chapter with insights on the brothers of Jorg's company are also a nice touch. To resume or illustrate by opinion, if I would have to make a quote for the book, it would probably read like this : "Prince of Thorns will blow your eyes out of your socket.  This is not a tale for the soft of heart.  The hero is the villain everyone with a dedicated vengeance in mind wants to be.".

Technically, the Ace cover is cool looking, maybe too much 'fantasy-hooded-like' but nice anyway. However I would have preferred a more gory cover art. A good looking map of the world is present in the book and here. The hardcover edition of the book stands at 336 pages.

Prince of Thorns review score :

Characterization............. 8.5 /10
World building............... 8.5 / 10
Magic system................. 7.5 / 10
Story.............................. 8.5 / 10
Writing........................... 9 / 10

Overall (not an average) 8.5 / 10

Enjoy!


Mark Lawrence page

Covers for Deas and Redick

Posted by Phil on Thursday, September 22, 2011

Two new covert art, or maybe artwork since it's not the final result yet, surfaced recently, the UK art for the next dragon novel by Stephen Deas, The Black Mausoleum and the fourth novel in Robert V.S. Redick series, the Chathrand Voyage, The Night of the Swarm. Both novels should be out by Spring 2012.

From Stephen Youll who also made the covers for Deas' US novels :



From Edward Miller, who painted the illustration and also worked on previous covers for Redick books in the UK. I hope they will change the font of the title...

A Dance with Dragons review

Posted by Phil on Wednesday, September 21, 2011


It finally saw the light of day back in July 2011. After six years in the making, A Dance with Dragons, the fifth volume in A Song of Ice and Fire is out. The road to completion for George R.R. Martin was not an easy one and it's now time to analyse the result. I was so eager to read about all the character I grew to love and the games they are playing for power.
The future of the Seven Kingdoms hangs in the balance. In the east, Daenerys, last scion of House Targaryen, her dragons grown to terrifying maturity, rules as queen of a city built on dust and death, beset by enemies. Now that her whereabouts are known many are seeking Daenerys and her dragons. Among them the dwarf, Tyrion Lannister, who has escaped King's Landing with a price on his head, wrongfully condemned to death for the murder of his nephew, King Joffrey. But not before killing his hated father, Lord Tywin. To the north lies the great Wall of ice and stone -- a structure only as strong as those guarding it. Eddard Stark's bastard son Jon Snow has been elected the 998th Lord Commander of the Night's Watch, but he has enemies both in the Watch and beyond the Wall, where the wildling armies are massing for an assault. On all sides bitter conflicts are reigniting, played out by a grand cast of outlaws and priests, soldiers and skinchangers, nobles and slaves.
First of all, I have to say that I did enjoy A Feast for Crows even though only half of the PoV from the previous books were present. Some storylines like Brienne's 'trek' were mostly boring but in the end, the Iron islanders, the Dornish Prince family, Jaime and Arya were still compelling enough to keep the book entertaining, bringing worthy new pieces to the set and making the story advance though in a less flaunting way. At any rate, Mr. Martin writing was still first-class. But the potential problem creeping up in Feast is also daunting Dance and all the future books, maybe George is spreading the tale too large, adding to many players in the game of thrones.

At the beginning of Dance, I was mostly eager to read about Jon, Davos, Barristan Selmy and mostly, Tyrion. But in the end, curiously, that's not really where the most interesting chapters come from.  Let's look at the PoVs.

Tyrion. The Imp's speech is still full of crude and sarcastic comments I was craving for but his moods are not at the highest.  His storyline is a long trek where he encounters many inspired characters, from new unexpected players to a good old acquaintance. On the other hand, if I would transpose his narrative to a less interesting character, I'm not sure I would have been satisfied with it. In the same line of thoughts, Jon doesn't have the most thrilling adventures, he sees less action in the physical sense of the term. However in his case, I understand pretty well all he has to go through and even though he wants to keep out of the way when the affairs of the southern kingdoms reach him, at least he tries to remain true to himself and be a good Lord-Commander.  The same could be said for Daenerys. Both of them are learning to rule in their own ways and that doesn't always create suspenseful moments but there are never out of character.

Besides Dany, the old Kingsguard, Ser Barristan Selmy finally gets his time on stage and it felt good to be behind his eyes, George knows who to pick up as the right perspective for a thread. Too bad he is surrounded by so many hard to remember names. Bran story is not getting any clearer in my opinion but his couple of chapters serve to bring him up to pace with the rest of the cast. Furthermore, one of the best parts of the author narrative is Theon's comeback.  You'll understand why I'm using the comeback term when you read the book but let's just say that I never thought that I could feel pity and even almost cheer for the guy anymore but in Dance, he's the one that bring the most emotions for me aside from the ending.

Taking all of this into perspective, the book is not a complete success for me but a satisfying novel nonetheless.  I'm truly happy to have the chance to read again about all these great characters and I know that the pace of George books is often very slow, that the descriptions are rich and in abundance, that every time the author gets the opportunity, he will describe all the food they are eating but I would have thought that more would happen throughout all those pages.  Maybe that's a collateral damage caused by hype... or the result of the split novels.

Moreover, I didn't remember reading so often about recaps (I'll explain) from the characters.  I won't name them in fear of spoiling something but in the case of several protagonists, we follow them wandering the countryside or on the sea for several chapters but then, when something interesting happens, we are told about it in reminiscence from the implicated character perspective instead of experiencing it 'live'.  I think the novel would have benefited from more chapters about those important events instead of the road to get there with a swift recap... Hopefully, many of these proceedings are meant to put the pieces in place and they are in the end great plots with enough twists.

Near the three quarters of the book, some PoVs from Feast make a couple of 'cameos' or even have their storyline resumed for a couple of chapters. This feel a bit weird at first since the characters from the start the book are pushed aside for several chapters in a row but when reaching the end, a feeling of fulfillment comes to the surface.  The overall tale then feels more focused and tightly structured. Add to that the events happening in these last chapters and I felt like the Song of Ice and Fire resumed in all its pending glory.

Feast and Dance could be seen as bridging novels.  In both of them, there's less clashing of armies and less epic battles but the war aftermath of Storm of Swords can't really get back to speed faster.  I understand why the book is written this way and the sense of dragging I've explained doesn't eclipse the masterful storytelling I experienced.

I don't think I really have to talk about world building after five books. The world created by Martin is simply amazing and in Dance, the history behind the alliances and betrayals of old is expanded, the religion of R'hllor is making more noise and the Free cities/Valyria parts of the continent are explored further, Westeros feels less isolated.

Winter has finally come and even though the road to reach it was not a perfectly scribbled endeavor, I think that it was worth the wait. The scope of things to come is mesmerizing.


Technically, the Bantam Spectra cover, the one at the start of the review is good looking and almost all of the alternative covers are generic but nice enough. All the maps necessary, from beyond the wall to the Dothraki Sea are present, which is really really appreciated. The hardcover edition of the book stands at 1040 pages with obviously, all the family trees.

A Dance with Dragons review score :

Characterization............. 8 /10
World building............... 9.5 / 10
Magic system................. 8 / 10
Story.............................. 8 / 10
Writing........................... 8.5 / 10

Overall (not an average) 8 / 10

Enjoy!


George R.R. Martin page

New poll - Book trailers

Posted by Phil on Monday, September 19, 2011

My previous poll asked a simple question : "Do you wait for series to be completed before starting one?"

Seems like this one was a no-brainer, 80% of the respondents answered with a No. It looks like most of us love series and we are not afraid to start a new one even if the end is not in sight, which is often the case in epic fantasy.

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Now for my next question... this time, I find the object of the topic to be kind of overrated (or not if we're on the same page, we'll know better after the poll).  What I mean is that I'm not really sure if it's something meant to exist and whether or not its actually useful.  Are we really interested in book trailers?

A book trailer is quite simply a promotional tool. These days, they are mostly transmitted via the social networks, blogs and aggregator websites. I could understand their existence a bit more if indeed, they were seen more often than not on TV but I'm not certain that's actually the case. I may be mistaken here since I don't live in the US or the UK, correct me if I'm wrong.

For the sake of comparison, if we look at the statistics for the big brother of book trailers, movie trailers, Wikipedia indicates that "Of some 10-billion videos watched online annually, movie trailers rank #3, after news and user-created video." However, in the case of movie trailers they exist on the same medium, so it's  easier to understand their relevance. With this in mind, book trailers should be a compendium of extracts... maybe I stretch too far... an extra long blurb?

From one of the previous polls, most readers don't even read extracts of upcoming novels. Will they look at the trailer?  The choice to pick up a novel would then come from the reviews, blurbs, recommendations or even the covert art itself. So the decision to invest money into a book trailer could be a dubious venture for an editor.

But then, they could still be an amazing work of art, worthy of living on their own. Great but I'm still not sure it's pertinent. At any rate, I don't think I've ever been swayed to buy a novel after watching a trailer... and I don't really look at them...

Here's some examples :







So there it is : "Do you watch book trailers?"

- Yes
- No

Kick ass moment #12

Posted by Phil on Thursday, September 15, 2011


That one I found so funny.  This small extract is from The Wise Man's Fear by Patrick Rothfuss. It's no spoiler but since you may want to keep the last bit for the actual reading of the book if you've not yet picked up the novel, I put the text of the last sentence in white on white. Highlight to read it. It's a story Kvothe is telling around a fire:
     "Once upon a time," I began. "There was a little boy born in a little town. He was perfect, or so his mother thought. But one thing was different about him. He had a gold screw in his belly button. Just the head of it peeping out.
    "Now his mother was simply glad he had all his fingers and toes to count with. But as the boy grew up he realized not everyone had screws in their belly buttons, let alone gold ones. He asked his mother what i was for, but she didn't know. Next he asked his father, but his father didn't know. He asked his grandparents, but they didn't know either.
    "That settled it for a while, but it kept nagging him. Finally, when he was old enough, he packed a bag and set out, hoping he could find someone who knew the truth of it.
    "He went from place to place, asking everyone who claimed to know something about anything. He asked midwives and physickers, but they couldn't make heads of tails of it. The boy asked arcanists, tinkers, and old hermits living in the woods, but no one had ever seen anything like it.
    "He went to ask the Cealdim merchants, thinking if anyone would know about gold, it would be them. But the Cealdim merchants didn't know. He went to the arcanists at the University, thinking if anyone would know about screws and their workings, they would. But the arcanists didn't know. The boy followed the road over the Stormwal to ask the witch women of Tahl, but none of them could give him an answer.
    "Eventually, he went to the King of Vint, the richest king in the world. But the king didn't know. He went to the Emperor of Atur, but even with all his power, the emperor didn't know. He went to each of the small kingdoms, one by one, but no one could tell him anything.
    "Finally, the boy went to the High King of Modeg, the wisest of all the kings in the world. The high king looked closely at the head of the golden screw peeping from the boy's belly button. Then the high king made as gesture, and his seneschal brought out a pillow of golden silk. On that pillow was a golden box. The high king took a golden key from his neck, opened the box, and inside was a golden screwdriver.
    "The high king took the screwdriver and motioned the boy to come closer. Trembling with excitement, the boy did. Then the high king took the golden screwdriver and put it in the boy's belly button.
(HIGHLIGHT)
    I paused to take a long drink of water. I could feel my small audience leaning toward me. "Then the high king carefully turned the golden screw. Once: Nothing. Twice: Nothing. Then he turned it the third time, and the boy's ass fell off."
Man... if I would have been there, I surely would have had the same reaction as Tempi!

Kick ass moment #11
Index

AFR Top List - First person narrative

Posted by Phil on Monday, September 12, 2011



First off, you may wonder what is AFR?  Well... it's simply yours truly!  I know that everybody loves lists, as I do, so I thought that I could come up with some of my own from time to time, just for fun and mostly for the sake of discussion.

When I posted earlier the new blurb for an Eddie LaCrosse novel, what went to my mind was the fact that it's one of the series with a first person narrative that I find the most attractive.

This kind of narrative choice by an author is a dangerous one.  Your character will have to be more than compelling and has to have his own voice to be fresh enough to last the entirety of the book as the sole hero. Your character has to be at the center of the action without exception and you can't alternate his PoV with another to bring perspective to the story.

I have to mention that for some of these protagonists, I listened to their books instead of reading them.  So, in the case of audiobooks, I have to admit that the liking for a character narrated in this perspective can be influenced by the voice of the narrator himself...

Here's my top three: 
  • Croaker from the Black Company novels by Glen Cook
From my review : "[...] Cook skillfully created in Croaker a character I understood and cheered for, the perfect standard bearer for the company from which I would have liked to hear the tale.".  The cynical physician could recount the tale of the Black Company for a long time before I grew tired of his delivery.
  • Kvothe from The Name of the Wind and The Wise Man's Fear by Patrick Rothfuss
Even if the interludes are in the third person, the main story retelling Kvothe's past is in the first person.  There's no denying it, we all love the red haired lute singer.  His story is entertaining enough but it's in his attitude, the fact that he never betrays himself and in his honest way of giving us his tale that he really shines.
  • Eddie LaCrosse from The Sword-Edge Blonde, Burn Me Deadly and Dark Jenny by Alex Bledsoe
The 'James-Bondish' sword for hire, full of humanity, witty remarks and head traumas is a blast.  I'll let my reviews speak for themselves : "Under the harshness of his profession, there's a vulnerable and insecure man with a tendency toward the 'princess and orphan saving knight'. Eddie wants to help and he gets easily into trouble but luckily he gets by still alive." or "[...]  the narrative is fully his own and he delivers. The guy is genuine, every one of his actions, his skepticism, gruffness, loyalty and altruism felt right. With a character this much believable, one can only care about his hardship and preoccupations. He will unluckily get into a lot of trouble but that's the way I like to find him."

Special mentions

Drothe from Among Thieves by Douglas Hulick
I put him in the special mentions mostly because it's a new voice but a promising one at that.

Takeshi Kovacs from Altered Carbon, Broken Angels and Woken Furies by Richard Morgan
Wow, that character was awesome but I put him out of the list because it's Sci-fi and I wanted to talk about Fantasy novels but hey, he would have been at the top of my list.

So what's yours?


Alex Bledsoe, the author of the Eddie LaCrosse mysteries novels unveiled his new website/blog today. Among the additions, in the book section of his page, I found out the name of the fourth novel starring the sword jockey, Wake of the Bloody Angel.  More interestingly, Eddie will take to sea... here's the synopsis :


Twenty years ago, a barmaid in a harbor town fell for a young sailor who turned pirate to make his fortune.  But what truly became of Black Edward Tew remains a mystery, one that just has fallen into the lap of freelance sword jockey Eddie LaCrosse.
For years, Eddie has kept his office above Angelina’s tavern, so when Angelina herself asks him to find out what happened to the dashing pirate who stole her heart years ago, he can hardly say no–even though the trail is two decades old.  Some say Black Edward and his ship, The Bloody Angel, went to bottom of the sea, taking with it  a king’s fortune in treasure.  Others say he rules a wealthy, secret pirate kingdom.  And a few believe he still sails under a ghostly flag, with a crew of the damned. 
To find the truth, and earn his twenty-five gold pieces a day, Eddie must take to sea in the company of a sexy former pirate queen in search of the infamous Black Edward Tew . . . and his even more legendary treasure.

The book will be out in Spring 2012, with a tentative April speculated by Alex.

The Sword-Edge Blonde
Burn Me Deadly
Dark Jenny

Cover week - Esslemont and Hulick

Posted by Phil on Thursday, September 8, 2011

The cover week continues!

The first two covers are from the upcoming follow-up to Among Thieves by Douglas Hulick (my review here), titled Sworn in Steel. The first one is the UK cover art which is way better than its US counterpart even though it's not stellar.  The last one is the cover art for the fourth Malazan novel by Ian C. Esslemont, Orb, Sceptre, Throne (kind of a weird title).  The artist behind the work is Steve Stone who is behind illustrations used for covers for books by Raymond E. Feist, Chris Evans, Stephen King and Steven Erikson.




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New maps

Posted by Phil on Wednesday, September 7, 2011

I added a couple of new maps to the index.  Blake Charlton posted the map for the city of Avel from his new novel Spellbound, with all his interior illustrations posted on his blog, Brandon Sanderson is showing us all of Roshar where The Way of Kings is taking place and more particularly Alethkar and all the maps from A Dance with Dragons are now in a better quality format.

Moreover, since the links for some of the maps are not working anymore (like the map for the world of the Kingdom of Thorn and Bone by Greg Keyes), I'll post all the maps I can on the blog and link them directly.

Enjoy!

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The Seven Kingdoms, Free cities and Valyria from A Song of Ice and Fire by George R.R. Martin in all it's glory :






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The city of Avel from Spellbound by Blake Charlton :


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Roshar\Alethkar from The Way of Kings by Brandon Sanderson




New Shadows of the Apt trade covers

Posted by Phil on Monday, September 5, 2011

Empire in Black and Gold and Dragonfly Falling, the first two novels of the Shadows of the Apt saga by Adrian Tchaikovsky will be out in March 2012 as a trade paperback editions.  The two books received a new cover art, by artist Alan Brooks.

Again, for the sake of comparison, I posted the US and UK covers of both novels. I think the new illustration for Empire is much better than the two previous covers but I prefer the UK art for Dragonfly... What do you think?








When I read The Way of Kings by Brandon Sanderson last year (review), it was an ARC copy provided by Tor.  While most of the illustrations in the book were not present, I thought that this visual support was a very good idea. Even though Einstein said that imagination is more important than knowledge (I may be stretching that idea too far in this case...), to have all these references about the wildlife and geography of Roshar only help build the world in my head. So, Brandon decided to post all the interior illustration on his blog.

Here are some samples, for all the rest, head on to his page.





Weeks' The Black Prism french cover

Posted by Phil on Saturday, September 3, 2011

Brent Weeks posted the french cover art for his latest novel, The Black Prism.  The illustration for "Le Prisme Noir" is the work of Miguel Coimbra (his page here). For the sake of comparison, I also posted the US and UK cover art.




Chesley Award Winners

Posted by Phil on Thursday, September 1, 2011

The 2011 Chesley Award Winners were announced in August.  These awards are presented by the Association of Science Fiction and Fantasy Artists.  Here's what's its about :

ASFA annually gives out the Chesley Awards, which were established in 1985 as ASFA's peer awards to recognize individual works and achievements not otherwise recognized by the Hugo Awards, during a given year.

Three winners attracted my attention as a fantasy reader :

Best Cover Illustration – Hardback Book
Michael Whelan for :



Best Cover Illustration – Paperback Book
Jason Chan for :


Best product Illustration
Sam Weber for :



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