Jemisin's The Killing Moon excerpt

Monday, March 5, 2012

N.K. Jemisin's next novel, The Killing Moon (first book of the Dreamblood series) will be out on May 1st and she posted an extract of the first chapter of the book on her page.  I enjoyed her debut (The Hundred Thousand Kingdoms - review) and was just a little disappointed by the follow-up (The Broken Kingdoms - review). I will certainly go back to the series eventually to finish it.  Meanwhile, here's the blurb, the link and a small part of the excerpt:

In the city-state of Gujaareh, peace is the only law. Along its ancient stone streets, where time is marked by the river’s floods, there is no crime or violence. Within the city’s colored shadows, priests of the dream-goddess harvest the wild power of the sleeping mind as magic, using it to heal, soothe… and kill.  
But when corruption blooms at the heart of Gujaareh’s great temple, Ehiru — most famous of the city’s Gatherers — cannot defeat it alone. With the aid of his cold-eyed apprentice and a beautiful foreign spy, he must thwart a conspiracy whose roots lie in his own past. And to prevent the unleashing of deadly forbidden magic, he must somehow defeat a Gatherer’s most terrifying nemesis: the Reaper.

Chapter 1 
The barbarians of the north taught their children to fear the Dreaming Moon, claiming that it brought madness. This was a forgivable blasphemy. On some nights, the moon’s strange light bathed all Gujaareh in oily swirls of amethyst and aquamarine. It could make lowcaste hovels seem sturdy and fine; pathways of plain clay brick gleamed as if silvered. Within the moonlight’s strange shadows, a man might crouch on the shadowed ledge of a building and be only a faint etching against the marbled gray. 
In this land, such a man would be a priest, intent upon the most sacred of his duties. 
More than shadows aided this priest’s stealth. Long training softened his footfalls against the stone; his feet were bare in any case. He wore little altogether, trusting the darkness of his skin for camouflage as he crept along, guided by the sounds of the city. An infant’s cry from a tenement across the street; he took a step. Laughter from several floors below his ledge; he straightened as he reached the window that was his goal. A muffled cry and the sounds of a scuffle from an alley a block away; he paused, listening and frowning. But the disturbance ended as sandals pattered on the cobblestones, fading into the distance, and he relaxed. When the love-cries of the young couple next door floated past on a breeze, he slipped through the curtains into the room beyond. 
The bedchamber: a study in worn elegance. The priest’s eyes made out graceful chairs upholstered in fraying fabrics, and wood furnishings gone dull for lack of polish. Reaching the bed, he took care to avoid shadowing the face of the person who slept there—but the old man’s eyes opened anyhow, blinking rheumily in the thin light.

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