Knife Sworn review

Thursday, April 24, 2014


Knife Sworn is the second book in the Tower and Knife trilogy, following the excellent debut of Mazarkis Williams, The Emperor's Knife, which was released back in 2011. The third book in the series, The Tower Broken is already available. There's no word so far on Williams' next project and we still don't know officially if the author behind the pseudonym is a man or a woman... (I thought Williams was a man back when I reviewed the first book but your guess is as good as mine...).
After spending most of his life in captivity, Sarmin now sits upon the Throne of Cerana. But his reign is an uneasy one. And the emperor’s own heart is torn between two very different women: Mesema, a Windreader princess, and Grada, a lowborn untouchable with whom Sarmin shares a unique bond. In times past, a royal assassin known as the Emperor’s Knife served to defend the throne from menace, but the last Knife has perished and his successor has yet to be named. Sarmin must choose his own loyal death-dealer . . . but upon whom can be he bestow the burden of the Knife-Sworn?
When I finished The Emperor's Knife, I thought that it would have been complete as a standalone but I was confident enough in the author's skills with what I discovered in his debut to expect an intrigue worthy of a trilogy. I mention the intrigue specifically since it was the prime factor for which I enjoyed Williams' debut. The characters were not in rest though, Sarmin the young brother of the Emperor and new magic user out of his confinement was fascinating, Eyul the Emperor's Assassin with a hearth of gold felt familiar but surprised me, Mesema the young wife-to-be from the nomads offered a nice female point of view and Tuvaini the High Vizier was more than compelling with his own schemes. The Many. The Pattern Master. A wonderful cast.

While the tone for the second book remains mostly the same, the tapestry of intrigue feels less refined. This impression is kind of weird since the tale of Knife Sworn is confined within the city of Nooria, hearth of the Empire of Cerana and focuses much on Sarmin's rule and lineage. An invasion by the rogue soldiers of the Empire is taking place far away and we are kept informed about it by the presence of dignitaries and episodes of channeling into remnants of The Many for Sarmin but in the end, we don't see much aside from the apartments of the Emperor and his staff and family. The worldbuilding is on hiatus and we don't learn much more from the magic in Williams' world.

Tuvaini, Eyul and Mesema aren't points of view anymore (some for obvious reason that I won't mention to avoid spoiling someone who hasn't read the first book and some for unknown reasons). Instead, aside from Sarmin who's still at the center of the story, the new 'players' or forefront runners in this game of power and protagonists given a major point of view are Nessaket, Sarmin's mother, Grada, one of The Many and Rushes, a servant who gets involved despite herself but who offers a perspective more distant from the internal struggle for power. However, I have to admit that the addition of three female points of view is great.

The three of them are not without relevance and they propose fascinating moments but they don't come close to my appreciation of the characters we have learned to know in The Emperor's Knife. Nessaket, with her obsessions is offering a curious perspective from a hard woman with a mother's heart but a craving for control close to despair. I grew to like her chapters the more they appeared. There's almost no romance anymore (not that I yearn for it that much mind you...), Sarmin's dreams are somewhat hard to follow most of the time and the disappearance of the Pattern created a hole in the cohesion of the overall plot that is hard to fill even with the leftovers of the downfall of the Pattern Master. At least, in the end, a definite feeling of dread aside from the machinations to unbalance Sarmin's rule is coming back and there seems to be a worthy challenge to rise to, for Sarmin's sake.

Williams' writing is still as concise, without fuss or dispersion toward long descriptions. A fast read with some highlights but my overall perception of Knife Sworn is of an interlude in the aftermath of the first book (yes it's a bridging novel and in this case that's not actually a good thing) catapulting the story toward a cataclysm that makes the plotting of the hungry for power seem frivolous. In the first novel, both the intrigue and the story to save the world were working well together but that balance was upset. I think that Mazarkis can still pull it off in the third opus to finish the series in a more interesting manner (thanks in part to the return of Mesema back as a PoV). I'm not as eager now to finish the series but I will eventually.

Technically, I think the Jo Fletcher Books cover isn't bad, it a good representation for the book. The same map as the one for the first book is present, but less useful this time and the paperback edition of the book stands at 390 pages.

Knife Sworn review rating :

Characterization
World building
Magic system 
Story
Writing

Overall (not an average)




2014 David Gemmell Awards shortlist

Tuesday, April 22, 2014


The shortlist is out for the 2014 David Gemmell Awards.

Voting for the shortlists is open until the end of May, with the awards ceremony taking place at London's Magic Circle on the 13th June.

My picks are in bold and italic and my predictions for the winners are underlined.  What are yours? Are you interested in this award?

*

Legend Award
(Best novel)

The Daylight War by Peter V Brett (Harper Collins UK)
Emperor of Thorns by Mark Lawrence (Harper Collins UK)
The Republic of Thieves by Scott Lynch (Gollancz)
A Memory of Light by Brandon Sanderson and Robert Jordan (Tor/Forge)
War Master's Gate by Adrian Tchaikovsky (Tor UK)

*

Morningstar Award
(Best debut novel)

The Garden of Stones by Mark T Barnes (47 North)
Headtaker by David Guymer (Black Library)
Promise of Blood by Brian McLellan (Orbit)
The Path of Anger by Antoine Rouaud (Gollancz)
The Grim Company by Luke Scull (Head of Zeus)

*

Ravenheart Award
(Best cover art)

Benjamin Carre for the cover of The Republic of Thieves by Scott Lynch
(Gollancz)
Jason Chan for the cover of Emperor of Thorns by Mark Lawrence (Harper
Collins UK)
Cheol Joo Lee for the cover of Skarsnik by Guy Haley (Black Library)
Gene Mollica and Michael  Frost for the cover of Promise of Blood by Brian
McClellan (Orbit) 
Rhett Podersoo for the cover of She Who Waits by Daniel Polansky (Hodder)

***

Here are the past winners:

2009
Legend award - Andrzej Sapkowski for Blood of Elves

2010
Legend award - Graham McNeill for Empire
Morningstar award - Pierre Pevel for The Cardinal's Blades
Ravensheart award - Didier Graffet, Dave Senior and Laura Brett for the cover of Best Served Cold

2011
Legend award -Brandon Sanderson for The Way of Kings
Morningstar award - Darius Hinks for Warrior Priest
Ravensheart award - Olof Erla Einarsdottir for Power and Majesty (written by Tansy Rayner Roberts)

2012
Legend award - Patrick Rothfuss for The Wise Man's Fear
Morningstar award - Helen Lowe for Heir of Night
Ravensheart award - Raymond Swanland for Blood of Aenarion (written by William King)

2013
Legend award - Brent Weeks for The Blinding Knife
Morningstar award - John Gwynne for Malice
Ravensheart award - Didier Graffet and Dave Senior for the cover of Red Country (written by Joe Abercrombie)

New map - Salyards' Veil of the Deserters


And the index got even bigger!

This time, it's the beautiful map of Jeff Salyards' series the Bloodsounder's Arc that started with Scourge of the Betrayer (my favorite Fantasy debut of 2012 - review here) and will be continued in July June with Veil of the Deserters, the first book to include this map.

UPDATE: Veil will be out in June! (Thanks to Jeff for pointing this out!) and I forgot to mention the artist behind the map, William McAusland.

You can also enjoy it in sepia:




New map - Elizabeth Bear's Eternal Sky

Friday, April 18, 2014


Another nice looking map for the index!

It's the work of Ellisa Mitchell, an illustrator who also worked on interior maps for David Weber and for the Wheel of Time Roleplaying Game.  The map is included in all three books of Elizabeth Bear's Eternal Sky series (Range of Ghosts, Shattered Pillars and Steles of the Sky).



Extracts - Hulick, Patrick and Salyards

Wednesday, April 16, 2014

Three interesting extracts have surfaced on the web recently and they might give you a nice taste of upcoming novels. We're talking about Den Patrick's The Boy with  the Porcelain Blade, Sworn in Steel by Douglas Hulick (finally it will be in our hands soon) and Jeff Salyards' Veil of the Deserters (I have very high expectations for this one).

Enjoy!

***


The Boy with the Porcelain Blade
Den Patrick
Chapters one, two, three and four

***


Sworn in Steel
Douglas Hulick
Chapters one and two

***


Veil of the Deserters
Jeff Salyards

A Fantasy Reader turns five!

Tuesday, April 15, 2014


It's time to celebrate!

A Fantasy Reader is now five years old!

Thanks you all for coming back again and again over the years!

Cheers to five more!


New poll - Nostalgia?

Wednesday, April 9, 2014


The topic of my last poll was humor.  To cover more than an aspect of it, I posted three questions instead of one and we now have the results.

What type of Humor do you prefer?
Sarcasm - 34%
Dark/Gallow/Mordid - 19%
Irony - 13%
Biting/Mordant - 6%
None - 6%
Satire, parody/spoof, puns, caricature/exaggerism or toilet - 3 % or less

Is Humor fundamental in Fantasy literature?
Yes - 52%
No - 48%

Do you like funny/parodic books?
Yes - 54%
No - 45%

Judging by the results of the last two questions, it's clear that Fantasy readers are quite divided in terms of appreciation of humor in Fantasy.  That came as a surprise for me, more so for the first question. I know that Grim Fantasy is the trend but even in the 'grimdark' world, authors like Joe Abercrombie can get a grin out of readers more often than not. Wouldn't it be kind of sad to have even less humor in Fantasy? As for the funny and parodic books, I think it's easier to understand that it's not for everyone.

If we keep the focus on the 'grimdark' trend, I think we can also explain the answers for the type of humor question. Don't forget that my blog is focusing on Epic Fantasy and that's the fashionable sub-genre these days.

***


Nostalgic anyone?

Last week, Tad Williams confirmed that he will be returning to his roots with a new trilogy set in the world of Osten Ard, a sequel to his first trilogy, Memory, Sorrow and Thorn. The confirmation has been received as very good news in the blogosphere and the comments of many readers on the web. While I'm not indifferent, it made me think about the next question for my poll.

I have only read two books by Tad Williams and both are the start of series, meaning The Dragonbone Chair, first book of the Memory, Sorrow and Thorn trilogy and Shadowmarch, the first book of the Shadowmarch quartet. I remember liking them both but not being compelled to finish the series so far. In my review of The Dragonbone Chair, I wrote this:
In the end, it was a fun read. Always good to return to the roots of the genre from time to time. I enjoyed it enough to read the rest of the story. But beware, if you read it, the beginning of the book is very slow (I almost put it down). You really have to get at least to the second half. I would surely have given this book a better score if I had read it some years ago.
Now, don't get me wrong. I'm not trying to diminish the love that long time readers of Williams have or put a label of nostalgia on the reason behind this love.  I think that it's indeed a very good news. By the way, have you read Memory, Sorrow and Thorn? And what did you think about it?) This is simply the introduction to my question and as I said I think that for many series that were released a long time ago, they could have been a better read if I had read them before. However, that's really not the case for everything written more than ten to fifteen years ago.

So, are we nostalgic? I think so but that's not the specific question to which I would like to have your opinion. To be more precise, I want to know if you think that our good old Fantasy series (here's the nostalgia creeping back) are aging well. Most of you must have read some Tad Williams, Terry Brooks, Stephen Donaldson, Raymond E. Feist, David Eddings or even Robert Jordan. Are they aging well for a new crowd of readers who were introduced to Fantasy by Abercrombie, Martin or Erikson? Tolkien is aging well don't you think? We all have a different path that leads to the kind of books we are reading now and I think that it has a great influence on how we perceive books that were released a long time ago.

Furthermore, I always liked to pick up books form authors that were a source of inspiration for the modern Fantasy writers. One of the best ways to get a complete understanding of a genre is to return to its roots. But when we do this, that nostalgic factor isn't present and that's probably when we can better tell if a book has aged well.  Are you often returning to books you have read twenty years ago?

Moreover, Fantasy is evolving. As I mentioned in my comment about the last poll, there's a trend toward grim and dark Fantasy and we are reading less and less often about the farm boy from prophecy who will vanquish evil.

To add more perspective to this questioning, I took a look back at past polls with topics in relation with this subject. When I asked if innovation was overrated in Fantasy, you answered that it wasn't. From the list of most common Fantasy tropes, you clearly said that you were tired of the farm boy saving the world (add to that prophecies and evil dark lords) and most of you were introduced to Fantasy with the help of Mister Tolkien. And finally, you prefer a sequel from a favorite writer than a new idea.

So...

Are the Fantasy series of old aging well?



A Round of Covers

Monday, April 7, 2014

It's cover round-up time!

***

Marc Simonetti, the french artist behind many great Fantasy covers in the last years strikes again with the french cover art for Le Fléau du Traître by Jeff Slayards (Scourge of the Betrayer). Thanks to Mihai at Dark Wolf's Fantasy review for the heads up.


***

Next is the cover art for Micheal R. Underwood's new Epic Fantasy, Shield and Crocus.  The artist is Stephan Martinière. I really like this one!


***

Raymond Swanland returns with his familiar style for the cover art of K.V. Johansen's The Lady. Always amazing, his work are! :)


***

Finally, Steve Stone is behind this new contender for my Best cover art with an infamous hooded assassin award!  He gives us a nice one for The Shadow Master by Craig Cormick.  Enjoy!



The Palace Job review

Wednesday, April 2, 2014


The Palace Job is the first Fantasy novel for Patrick Weekes. He has already released a couple of short stories and is working at Bioware as a senior writer, having worked on the Mass Effect stories.  The author will also release a tie-in for the Dragon Age video game this month.  The Palace Job was published in October last year by 47North.
The most powerful man in the republic framed her, threw her in prison, and stole a priceless elven manuscript from her family. 
With the help of a crack team that includes an illusionist, a unicorn, a death priestess, a talking warhammer, and a lad with a prophetic birthmark, Loch must find a way into the floating fortress of Heaven's Spire–and get past the magic-hunting golems and infernal sorcerers standing between her and the vault that holds her family's treasure. 
It'd be tricky enough without the military coup and unfolding of an ancient evil prophecy–but now the determined and honourable Justicar Pyvic has been assigned to take her in. 
But hey, every plan has a few hitches.
If you take a closer look at the members of the team gathered by Loch, the main protagonist, you soon find out that Weekes' goal is to tackle the Fantasy tropes. Moreover, it's clear, and the book was advertised as such, that The Palace Job is using a humorous approach. However, that's not the only ambition standing out, Weekes is also trying to deliver the story of a heist full of surprises and double-crosses. Did he succeed? Let's find out.

From the beginning, when we become acquainted with Loch and her sidekick and partner in crime Kail, the feeling left by the setting, a mix of Medieval and Steampunk-Technological Fantasy, the fast paced action and even the narrative, is one I have found more often than not in videogames. I'm pretty sure that there is a nice dose of Final Fantasy influence in Weekes' book. His background may show a bit in this aspect but that's a good thing, it works and still feels original. And then, as the story unfolds, again with the action and dialogue centered narrative, I even felt a blockbuster stoyline vibe. This book would adapt finely to the big screen.

After the first third of the book, the full team, in all their stellar, eccentric and colorful ways, is united in a common goal but for very distinctive reasons.  Each one is given just enough spotlight to leave an impression. For some of them, like the death priestess and her warhammer, Ghylspwr or Icy Fist the Imperial, I was eager for more background but to keep the story tight, I understand that Weekes had to choose his digression wisely after the initial presentation. Speaking of tightness, still for the sake of it, the author didn't dwell too much on the descriptive aspect of writing but offered enough to quench some imaginative cravings.

So far, the humor delivered both by direct jokes thrown by the characters (Kail could have given some slack to his mother jokes redundancy) and by the presence and nature of the protagonists themselves was spot on. I grinned several times but was eventually caught up in the more serious plot taking shape. I'm not certain if that slight change of tone was intended by the author or if he too, was caught up by it but there's clearly a shift toward the more severe, intricate game of deception. Loch's nemesis, his minions and his partners are well aware that she's targeting them and several interesting face-off are carried out. Still, I would have preferred a more constant humorous outline.

Finally, after a very fast read, all the answers are given and the lasting impression left by the aftermath is a satisfying one. The relationships that evolved throughout the book between the characters are easily taken for granted after such an adventure and the overall resolution of the palace job is more than pleasing.

What would you say of an Ocean Eleven in a funny Fantasy setting full of stereotypical characters stretched to their limit and fitting in perfectly but weirdly? Sounds nice enough? If so, The Palace Job is right down your alley. Moreover, you can get the e-book edition for less than 5 bucks!

Technically, I think that the 47North cover is a perfect fit for the book with the more obvious tropes of the protagonists highlighted. The paperback edition of the book stands at 256 pages. No maps are included and none should have been.

The Palace Job review rating :

Characterization
World building
Magic system 
Story
Writing

Overall (not an average)




a Fantasy Reader All rights reserved © Blog Milk - Powered by Blogger